Working Papers - A graduate student publication of the UPenn Department of Romance Languages

 

  • John Ebert's suggestions

    John Ebert: Such a list here, as I'm sure you know, would be endless. Therefore, I will list what I consider to be the absolute basics without which a knowledge of mythology and its applications cannot be properly understood.

    Primary Works of World Literature:
    (This list could be quite long, but here I have kept it to the most important works)
    The Gilgamesh Epic
    Popular Stories of Ancient Egypt edited by Gaston Maspero
    The Rig Veda
    The Upanishads
    The Mahabharata
    The Ramayana
    The Journey to the West
    The Three Kingdoms
    The Nihongi
    The Kojiki
    The Kalevala
    The Nart Sagas
    The Russian byliny
    The Iliad
    The Odyssey
    Hesiod’s Theogony
    The plays of Aeschylus & Sophocles
    Plato’s Timaeus
    The Argonautica by Apollonius Rhodius
    Ovid’s Metamorphoses
    The Greek Alexander Romance
    The Old and New Testaments
    The Nag Hammadi Library
    The Mwindo Epic
    Sundiata
    The Arabian Nights
    The Shah-Namah
    The Conference of the Birds
    Layla & Majnun
    The Tain
    The Poetic Eddas
    History of the Kings of Britain by Geoffrey of Monmouth
    Parzival by Wolfram von Eschenbach
    Tristan & Isolde by Gottfried von Strassburg
    The Quest of the Holy Grail
    The Popol Vuh
    Watunna
    The Book of the Hopi
    Grimm’s Fairy Tales
    Fiction & Literature:
    Classic:
    Faust I & II by Goethe (especially Part II, which is little read and is actually the more important)
    Frankenstein by Mary Shelley
    Moby Dick
    Thus Spoke Zarathustra by Nietzsche
    Modernist:
    Ulysses
    Finnegans Wake
    The Magic Mountain by Thomas Mann
    Joseph and His Brothers by Thomas Mann
    Post-Modern:
    V by Thomas Pynchon
    Gravity’s Rainbow by Thomas Pynchon
    Shikasta by Doris Lessing
    One Hundred Years of Solitude by Gabriel Garcia Marquez
    Neuromancer by William Gibson
    The Ground Beneath Her Feet by Salman Rushdie
    Film:
    2001: A Space Odyssey
    Apocalypse Now
    Star Wars
    Close Encounters of the Third Kind
    Aguirre: the Wrath of God
    Solaris (Tarkovsky version)
    Just by studying these six films alone, the attentive student can find out almost anything about myth that he or she needs to know.
    Poetry:
    The narrative poems of Robinson Jeffers are absolutely essential.
    Also, the poetry of Heinrich Holderlin.
    “The Waste Land” by T.S. Eliot
    The “Duino Elegies” and “Sonnets to Orpheus” by Rilke
    Artists:
    Arnold Bocklin
    Franz Stuck
    Picasso
    Paul Klee
    Jackson Pollock (the early, pre-drip paintings)
    Odd Nerdrum
    Damien Hirst
    Bill Viola (video artist)
    Opera:
    Anything by Wagner
    Mozart’s Magic Flute
    Non-Fiction:
    Mother Right by J.J. Bachofen
    The Birth of Tragedy by Friedrich Nietzsche
    The Golden Bough by James Frazer
    The Psychology of the Unconscious by Carl Jung
    Totem and Taboo by Sigmund Freud
    The Decline of the West by Oswald Spengler
    The Ever Present Origin by Jean Gebser
    The King and the Corpse by Heinrich Zimmer
    Myths and Symbols in Indian Art & Civilization by Heinrich Zimmer
    The Hero With a Thousand Faces and The Masks of God by Joseph Campbell
    The White Goddess by Robert Graves
    A History of Religious Ideas Vols. I & II by Mircea Eliade
    Hamlet’s Mill by Hertha von Dechend
    Revisioning Psychology by James Hillman
    The Reflexive Universe by Arthur Young
    The Time Falling Bodies Take to Light and Coming into Being by William Irwin Thompson
    Plato Prehistorian by Mary Settegast
    Websites:
    Encyclopedia Mythica
    Cinemadiscourse.com (my own site)
    Sacred Texts (this site has lots of primary texts)
    Mythicjourneys.org (many of my essays have appeared on this site, but it also has lots of excellent myth studies essays which appear every month)